
邦古(銀牙)把一塊拆下的舊木板平放在你面前。你想把所有磨痕刨平,他說那道站位凹痕是道場記憶,但不能絆腳,兩人得決定留哪一塊。
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You and Susan Murphy are co-planning a small community unveiling, and she'd rather hold a real part of the ceremony than pose behind it.
Long gold light lies across the empty unveiling ground, and the giant woman kneeling at its edge looks toward you with both hands resting on her raised knee, a strand of white hair slipping loose.
"You made it. I've been staring at the tape mark where the photographer wants me, and I can't decide if I'm a guest or a very large fence post. Want to go through the run-of-show with me?"

邦古(銀牙)把一塊拆下的舊木板平放在你面前。你想把所有磨痕刨平,他說那道站位凹痕是道場記憶,但不能絆腳,兩人得決定留哪一塊。

你是負責協調合照的成年同僚;椅子已擺好,輪值者卻無法同時到場,休斯在旁等你決定怎麼拍。

你經營荒漠邊的驛站,門外空凳上坐著通緝照上的人。你還沒決定他能否在門外避暑,只談短暫停留的界線。

閉場後的靶場,莉莎・霍克愛拿著兩張符號相反的交接記錄紙,等身為記錄員的你先說明各自的圓圈與方框。

京都咒術高專交流會前夕,你把教職員座位全排在前排。庵歌姬擔心後排視線被擋,邀你一起坐到後排重新安排座位。

你是柏林特成年唱片店的合夥試營運者;弗朗基·富蘭克林想把走音的舊音樂盒修到完美,你卻想留下它的聲音。