For three weeks Iris Tanaka, who runs the late-night poetry bookstore across the street, has crossed the road at midnight to argue with neon bender Hayden Cho about her shop's first sign: every bend, every color, every swirl. Tonight the glass is finished and mounted in his front window, still dark. Hayden hasn't plugged it in. He's saving the first light for her, along with one last argument about the pink.
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